I’m back from the high country and with me comes a nice batch of photographs.
Had a wonderful time visiting with friends from the homeland. Cold evenings sitting on the deck of the cabin, swigging on a bottle of port wine, snorting shots of Kentucky Bourbon, telling stories that haven’t been told in 43 years. It doesn’t get any better than that. But, moose photos are the next best thing.
I took the visitors out for a day of moose hunting and it was awesome. We found this cow browsing through the dead-fall looking for something tasty. Those wildflowers are like candy to a moose. This girl obliged us and allowed us to get in close while she chomped on the goodies.
Time for a little R&R, then back to the wilderness to add to the portfolio.
These past few weeks have gone by fast. Mooseville has been serving fresh moose on demand.
Here it is a Saturday morning and I’ve had a few hours to go over the harvest from my recent efforts. The light consistent enough to get some really nice, well lit shots. These days I tend to take an attitude about the harvest, there are only three categories I sort my images by, useless, salable and anything I consider a “work of art.” I’ve taken a handful of photographs I would print and frame, many of the rest will produce. I am quite pleased.
If you’ve ever reheated cold coffee because it tastes better, you may have been a sailor. I can’t work at a computer without coffee and here in the cabin one doesn’t waste water. In the Navy, good coffee was day old coffee, anything older tended to rust your barnacles.
The photography has pretty much wound down now. I’m catching up on rest and visiting with Andy and Debbie. Andy and I grew up together as teenagers, he’s probably one of oldest continuous friends in my life minus family members. I think the base wavelengths of our brains haven’t altered so there is still total familiarity, at least from my perspective. We’ve spent the last two days in the SUV together and rehashed every memory from high school days in Kentucky, among other things. Debbie is from Nashville and a delightful lady. She’s been keeping notes about her travels. It’s a very nice feeling knowing that all seems well with my old friend after so many years of not interacting.
Over the years a lot of my friends had little or no interest in the “high school days.” When I graduated high school, I entered the Navy and began a family. I left Kentucky and most of everyone except family. I went to a couple of reunions, 5 & 10th I believe. Never thought about it after that, it was water under the bridge for me. That was 1975 and the years are adding up. My thinking has matured. People are beginning to drop off. Life wouldn’t be complete without going full circle to tie the whole thing together.
I had a piece of Derby Pie with my coffee for breakfast this morning. A gift from Andy and Debbie. Pies seem to be a reoccurring event in my life. I don’t know how that works but I’ll take it. Derby Pie is a pecan pie type thing infused with Kentucky Bourbon. It’s mostly visible to society around the time of the Kentucky Derby, however, those of us from Louisville consider it to be a food group.
I’ve met the day’s major points. Talked to the wife on the phone, bathed, uploaded stock photos and now writing in the blog. Taking Care of Business is playing on the oldies radio station. Radio, iPhone music and boring streaming television is what’s available for background noise. Radio is the choice this morning. I like to not have to fiddle with other things when I’m trying to concoct a blog post.
Here it is. All 537 or so words. That’s an honest writing effort.
I’m back in Red Feathers this week and made a quick run to Mooseville on Tuesday afternoon.
I’m looking forward to one of my old friends visiting the Village for a few days so while I wait I’ll take advantage of the good weather and good moose.
Last night with the nearly full moon came the coyote. It was quite a treat to sit in the cabin listening to the howling of these lonesome creatures. I sat on the deck as they serenaded me for a couple of hours. They were fairly close, probably within 100 meters, lurking in the woods. They never showed themselves.
Today’s photograph of an angry young bull moose was taken in late May of this year in Red Feather Lakes.
Here it is, late July, and I’ve been spending a lot of time in Northern Colorado since late Spring. About one trip a week seems to be the average. I spend eight months of the year dreaming of getting back to the Northern Rockies and the high country. When it does arrive, the time seems to go too fast. Time compresses as we grow older.
I’m heading back to Red Feathers later today. This time I’ll be entertaining friends from Kentucky. I always like spending time with old friends. We began planning this last year during one of my visits to Kentucky. Trips like this get more difficult as we grow older, but when the opportunities arise, one must embrace them. I envision a few beers on the deck, a tour of the mountains and lots of catching up with a good friend from my childhood. Who knows when something like this will happen again. We aren’t getting any younger.
I hope to share some of the experience on the blog, so stay tuned.
Wildlife photography is challenging when it comes to getting sharp, noise free images. This challenge is compounded by poor lighting much of the time.
Over the years, I’ve learned a few things the hard way. I’m still learning but I think I have most of it figured out. Here’s my advice on equipment and techniques that may help you improve your results.
I’ve moved to full frame bodies. In general, I consider ability to get a clean shot more important than how many shots I can rip off in a few seconds of bursts. I find the full frame bodies to give me an extra stop of shutter speed, or ISO over any crop body (APS-C) sensor body. The two most known action/wildlife APS-C DSLR bodies on the market now are the Canon EOS 7D mkII and the Nikon D500. Impressive equipment for having a smaller sensor, but that smaller sensor is going to cost you a reduction in low light ability and detail. For those of you who are fond of mirror-less cameras, you’ll find the same to be true, but tracking moving subjects to be more of a challenge using the electronic view finder. I don’t believe mirror-less bodies achieve the same level of performance in the field and I don’t use them for that reason.
Since the Nikon D850 is still on back-order, I’ve resigned my kit to the Nikon D810 and D750, both full frame sensor bodies and both with excellent auto-focusing characteristics. In general, I get good results up to ISO 3200 and can even press it further if I have to, using DXO PhotoLab for noise reduction.
I carry a third body, a Nikon D7200. This is an APS-C/crop sensor body that performs quite well. I actually think it has the best image quality of any APS-C body on the market, including the Nikon D500. I’ve found that ISO 3200 is generally usable but loss of image fidelity is more apparent than the full frame bodies at that setting. I have to resort to more noise reduction in post processing on my raw images from this camera but below ISO 3200, I’m getting generally good results. It will crank off shots at about 6-7 frames per second which I think is more than enough. As a matter of fact, I set all my cameras slow speed continuous shooting to 5 fps and find I get more keepers because I’m not constantly moving the camera with the shutter whamming away full tilt. I can take a little more time getting the scene framed in real time and the buffer lasts longer. What I find to be the most useful aspect of the D7200 is that the 1.5x crop is a better solution than putting a 1.4x or 2x teleconverter on a full frame body. I don’t keep a teleconverter in my kit, they simply reduce image quality too much. The D7200 will give a much better result with a similar field of view as a teleconverter.
Another aspect of the crop body to be aware of is shutter speed. I normally set my full frame bodies to 1/1000th of a second shutter speed. With the crop bodies, you lose a stop of shutter speed, so I normally set the shutter for 1/1600th sec to compensate for the narrower field of view and amplified affects of camera shake and subject movement.
I use Auto-ISO on all bodies and I normally default to an aperture of f/7.1 to keep the lens sharpness and depth of field where I like it. By the way, I still read reviews and comments on the internet that the crop sensor body gives a deeper depth of field than the full frame sensor body. This is techno-babble nonsense. Your depth of field is the same on either body with the same lens set to the same aperture and focal length. DOF is a function of the lens. The sensor doesn’t alter the depth of field, it alters the field of view.
I also use center weighted average metering, as most of my wildlife subjects will be consuming the center of the frame and I want to get good exposure on the animal.
For auto-focus on Nikon, I use 3D tracking. I put the focus box on the head of the critter and if the critter moves, that tracking spot should hold to that part of the animal as you re-frame the scene. You must stay aware of where that tracking point is when you start squeezing off shots though. The only time I have issues is when the focus point drifts off the area I originally focused on and I’m not paying attention to it happening. This can result in the camera focusing on the body of the animal and not the face and to me, getting those eyes in focus is what I’m after. Don’t let your primary focus point of the animal drift out of the auto-focus sensor boundaries. I set the camera up to show the boundary in the view finder and I keep the focus point within that boundary. If I operate the camera correctly, I seldom get an out of focus image on the Nikon bodies.
I’ve found the most useful lenses to be super-telephoto zooms that cover the range between 80mm and 600mm. On my bodies I use the Nikon 200-500mm VR on the D810 and the Nikon 70-200mm VR on the D750. I keep a 24-120mm VR in the kit for those occasional wide angle and landscape shots. For the most part, I don’t change lenses when working. It subjects the lens and camera sensor to dust. I hate having to delete dust specks from the image and hate cleaning sensors even more. When I do change lenses, it’s always within the confines of the vehicle with the windows rolled up and the camera body facing down.
What about the big primes?
I see a lot of folks using these big monsters and for good reason. They have the best image quality. But they are also bulky and cumbersome to use in the field unless you’re sitting in a fixed position and not likely to need to move around much. They are like shooting clay pigeons with a howitzer though when it comes to flexibility. Hand holding a 600mm prime lens is not for the weak of arm and is not an ideal solution for photographing moving or multiple subjects rapidly at different distances. The fixed focal length is also going to limit your framing and composition choices. I see a lot of the same types of shots coming from these lenses because of that.
The big primes typically require an additional investment of a good sturdy and expensive tripod and gimble head. Using a big prime will cost you lots of money, reduce your mobility, reduce your composition choices and you will simply not get the variety of shots that the zooms will get.
Most super-telephoto zooms can be hand-held by the average person and when the light gets low or the bulk gets bothersome, an effective tool is the mono-pod. I use a mono-pod on the 200-500 about 2/3 of the time. I keep it in the back seat and can pull it out quickly and move around nimbly with a camera attached to one. They are light and also make a good walking stick when you have to hike. I like keeping the weight down and the mono-pod gives you that little extra stability over hand-holding without the bulk of a big tripod with a huge prime attached.
As for filters on the lens. I don’t recommend them. All they do is foul up your image quality. If you have a UV filter on your expensive lens, you’ve reduced the image quality to that of a $50 piece of plastic. If you’re worried about protecting the front element of your lens, try using a lens cap and hood. They are much better protection and the money you save is worth more than the delusional belief that UV filter is doing anything for you.
Lastly, I always keep a couple of plastic trash bags and a cotton towel in the kit. The trash bags are a great way to protect your camera in the rain and they don’t require a lot of fumbling around when you need to use one. Don’t buy those custom rain guards unless you’re going to be working in monsoon or blizzard conditions. I bought one years ago and it sits in the cabinet, used only one time.
It struck a cord in me as this is one of the types of behavior shots you always look for. I have a few photographs of this action but I take them at infrequent intervals.
It’s not often one gets to see this and even then it’s not always in conditions where a nice photo can be taken. It shows up unannounced and lasts for only a few seconds. One’s brain must stay in gear as well.
I managed this shot earlier this week and realized that my brain cells worked a bit more in concert regarding watching and waiting for it to possibly occur.
So, I have to thank Dawn for flipping on the lights in a poorly lit spot in my brain.